Documentary Photographers share their experiences

10 photographers on the future of documentary storytelling

I asked some of the photographers who have been interviewed in the Documentary Photography Review podcasts to share their thoughts and experiences in response to a series of 12 questions. (You can read the responses to last week’s question, and sign up to the DPR newsletter to be kept informed of future articles.)

This week – the third week in this series of articles – I ask:

What do you think the future looks like with regards to documentary storytelling i.e. where do you think things are headed?

[divider]Lewis Bush [/divider]

To a point where maybe we stop calling ourselves photographers, we escape all the narrowness that term implies and embrace all the possibilities of storytelling.

Lewis Bush
I shoot, write, talk, curate, and teach about photography, journalism, history and art. Lecturer at the London College of Communication and run the Disphotic blog

[divider]Cinzia D’Ambrosi [/divider]

Difficult question! I think we are heading towards a multi-platform storytelling – so a photo story is presented on let’s say a website with different links to audio, video, stills.
Also, the model of agency versus photographer is diminishing, leading to the photographer becoming his/her own agency. Thus, developing a direct client base, but also a more encompassing relationship with NGOs, charities, publishers, writers etc.

Cinzia D'Ambrosi
Photojournalist and documentary photographer. My photography work is motivated by my desire to investigate, expose and stimulate public response seeking the potentials to change a path, to modify a legislation, to tell a story otherwise untold.

[divider]Jonathan Goldberg [/divider]

In all directions – more multimedia, film and the continuing popularity of still image.

Jonathan Goldberg
I am a London-based portrait and documentary and documentary photographer with 20 years of experience. In between my regular portrait and documentary commissions I undertake personal projects relating to issues that I'm passionate about.

[divider]Ingrid Guyon [/divider]

I think that the trend is boring and all the same. There is a trend to tell negative stories and a lack of positive stories and focused too much on ‘developing countries’ as if it was something exotic.

Ingrid Guyon
I have lived and worked as a photographer, community worker and photography facilitator in London since 2001 and graduated at the London College of Communication and Social Anthropology in 2006.

[divider]Eduardo Leal [/divider]

I think we need to embrace change so we can reach our audiences. Look into new ways and forms to tell the stories using the advantages that the digital revolution has brought. The most important thing is to connect with the audience.

Eduardo Leal
Eduardo Leal is a Portuguese freelance documentary photographer focusing on Latin America social issues and politics and Portuguese traditions.

[divider]Claudia Leisinger [/divider]

There will always be new tools to help us tell stories & new platforms to feature them on, but the essential thing won’t change: we love stories and need them to survive, feel connected to each other and to the past.

Claudia Leisinger
At present I work as freelance portrait and documentary photographer, based in London. I have had my photos published in the Guardian, the Telegraph Magazine, the Big Issue, the NZZ newspaper and the Foto8 website, amongst others.

[divider]Tim Mitchell [/divider]

I think things are obviously headed online more and more but I also struggle with this. I don’t want our experience of the world to be so increasingly disembodied and screen based. But then I suppose photography is completely tied in with the history of the screen. They grew up together!

To be totally honest, I don’t really know where it is going beyond that. It’s exciting and daunting that there is no road map. All the more reason to experiment with and disrupt any preconceived or expected narratives or narrative platforms. This therefore argues for photographers, film makers and web programmers to team up more closely to explore the possibilities and boundaries.

Tim Mitchell
Tim works as a photographer, artist and educator taking on photographic commissions, workshops and teaching within the UK. Often working collaboratively, his projects document our relationship with our surroundings.

[divider]Hannah Mornement[/divider]

I think documentary photography has never been stronger, and the ability to reach wider audiences has never been greater. The challenge is the growing number of storytellers.

Hannah Mornement
Originally a painter, Hannah Mornement is now a freelance documentary and reportage photographer, currently based in Brighton. Hannah has focused on people, places and humanitarian issues and has had over 10 years experience within the humanitarian and development sector.

[divider]Lucy Piper [/divider]

I wish I knew so that I was a step ahead of the game! People will never stop telling stories and practicing documentary photography, because it is something that comes from a love of doing it, not for any other reason. It’s way harder to get published nowadays, with so many other talented photographers on the scene – this is a problem I think. Over-saturation.

Lucy Piper
Editorial & Documentary Photographer based in South-west UK

[divider]Roberto Zampino [/divider]

I personally believe that video is widely taking over, even though photography is more direct and powerful – smaller devices and better quality will take us into situations which were out of limits before.

Roberto Zampino
I am a Sicilian photographer and filmmaker. I have been based in Italy, Cyprus and London working as a freelance photographer, commercial and photography teacher.

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